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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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Distorted to Divide

Humra Quraishi comments about the distortion of Indian History and the caste, class and religious divides it seeks to indulge....

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Online-Offline: What works, what doesn’t?

Lecturers and students from various institutes talk to Monarose Sheila Pereira about their preference...

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Facts about Indian Muslims

Humra Quraishi leans on facts and figures to draw a picture of the state of the Muslim community in India.

The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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All you wanted to know about Omicron

The new variant of concern: Omicron has assumed the status of The Global ‘Scariant’ of Concern, bec...

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Signs of the Time: Call of the Valley

This week Humra Quraishi looks into the way Kashmiri youth and their future is impacted due to communal politics in the Valley...

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The son never sets

Khalid Mohamed reviews the book Blaze: A Son’s Trial by Fire, a heart-wrenching true story written by Nidhi and Sushil P...

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The 400 Blows - Run Antoine Run!

Vandana Kumar revisits François Roland Truffaut’s film, The 400 Blows and finds resonance with the complex way ad...

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Sunil Shanbag: A Theatre Yatra!

Aparajita Krishna takes a deep dive into the life and theatre times of Sunil Shanbag and walks you through an interesting tell...

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